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Comedian Kunal Kamra has found himself in the midst of yet another controversy, this time with music giant T-Series. The company issued a copyright infringement notice against Kamra for using a Bollywood song in his stand-up special, “Naya Bharat.” The comedian, known for his sharp political satire, has fired back, accusing T-Series of acting as a “stooge” and attempting to suppress his content.
The controversy began when T-Series flagged Kamra’s special, citing unauthorized use of the song Bholi Si Surat from the film Dil To Pagal Hai. Kamra, however, contends that his use of the song falls under fair use, as it was a parody meant for satirical commentary. He also clarified that he did not use the original track’s lyrics or instrumental, but rather a reinterpretation in a comedic context.
Taking to social media, Kamra did not hold back his criticism of T-Series. In a strongly worded post, he questioned the music label’s motives, urging them to stop being a “stooge.” His statement suggested that the notice was not merely about copyright but rather an attempt to silence critical voices.
“Parody and satire have long been recognized as legitimate forms of expression. If my video is taken down, it sets a dangerous precedent for all creators—whether they are making cover songs, dance videos, or meme content,” Kunal Kamra stated.
This case raises important questions about the boundaries of copyright law and creative freedom. While copyright holders have the legal right to protect their intellectual property, the application of these rights to parody content remains a gray area. Many believe that copyright laws should allow greater flexibility for satirical and transformative works, especially when they serve as social or political commentary.
T-Series, on the other hand, has stood firm in its position, stating that Kamra did not obtain authorization to use the song. The company maintains that any use of its copyrighted material without permission constitutes an infringement, regardless of intent or context.
As the debate intensifies, the larger creative community is watching closely. Kamra’s case could have lasting effects on how copyright claims are handled for satirical content in India. Whether the video remains online or is removed under legal pressure remains to be seen, but one thing is certain—this battle has ignited a conversation on the balance between copyright enforcement and creative freedom in the digital age.
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